What is it about the cross of Christ that draws men to Jesus?
Surely it is not the fact that it was some instrument of death, for other means
of execution remain to this day as symbols of only infamy and disgrace. Who has
ever written a song about the electric chair, or what poet has ever glorified
the gas chamber or the hangman's noose? But let men erect a cross in their yard,
or display it upon a billboard, and immediately the attention of those who see
that cross is drawn to one figure in history Who made that cruel instrument
famous. Let someone display an electric chair in the front of their yard and the
onlooker might wonder why such a display. But his attention would not be drawn
to any particular figure in history. But let a man put a cross in his yard and
immediately those who pass by think of Christ and Christianity. Even as I write
these lines the ACLU in cooperation with liberal judges have succeeded in
removing the cross from a Veterans cemetery in the state of California for no
other reason than the fact that it is in the shape of a cross. From the fields
of Arlington Memorial Cemetery in Washington, D.C., to the beaches of Normandy,
and around the world, grave yards have been graced with small crosses at the
head of each tomb declaring the hope that men have in a resurrection - a
resurrection found only in Christ, and made possible because of His death upon
the cross. Oh yes, "On a hill far away, Stood and old rugged cross, The emblem
of suffering and shame..." For 2,000 years the cross of Christ has cast its
beacon of hope across the tumultuous sea of human misery and sin, and the
message of the gospel is so closely associated with that cross that to speak of
the one is to bring to mind the other. It has been nine centuries since Abbot
Rupert wrote the following tribute to the cross of Christ: "We venerate the
cross as a safeguard of faith, as the strengthening of hope and the throne of
love. It is the sign of mercy, the proof of forgiveness, the vehicle of grace
and the banner of peace. We venerate the cross, because it has broken down our
pride, shattered our envy, redeemed our sin and atoned for our punishment. The
cross of Christ is the door to heaven, the key to paradise, the downfall of the
devil, the uplifting of mankind, the consolation of our imprisonment, the prize
for our freedom. The cross was the hope of the patriarchs, the promise of the
prophets, the triumph of kings and the ministry of priests. Tyrants are
convicted by the cross and the mighty ones defeated, it lifts up the miserable
and honors the poor. The cross is the end of darkness, the spreading of light,
the flight of death, the ship of life and the kingdom of salvation"
(http://www.rc.net/wcc/throne1.htm). Dear friend, that cross, and all that it
stands for demands some kind of response. Men can ignore it, ridicule it, mock
it, and seek to eliminate its presence, but in so doing they stumble over the
One Who Himself said, "And I, if I be lifted up from the earth, will draw all
men unto myself" (John 12:32). It has been more than twenty years since Lois
Cheney wrote the following lines:
I once saw a cross so big, it was as high as the church in front of which it stood. It was made of railroad steel, and it was very dramatic, and I was moved, and I was impressed, as I walked by and away from it.
I once saw a cross so lovely. It was a work of art, carved and polished. It was made to look both strong and delicate. And I was moved, and I was impressed, as I walked by and away from it.
There once was a cross not so high; not so lovely. It was not a work of art. Rough, full of splinters, uneven, unsymmetrical. Its simple mystery unfathomable. And I cannot walk by it, and I cannot walk away from it.
I once saw a cross so big, it was as high as the church in front of which it stood. It was made of railroad steel, and it was very dramatic, and I was moved, and I was impressed, as I walked by and away from it.
I once saw a cross so lovely. It was a work of art, carved and polished. It was made to look both strong and delicate. And I was moved, and I was impressed, as I walked by and away from it.
There once was a cross not so high; not so lovely. It was not a work of art. Rough, full of splinters, uneven, unsymmetrical. Its simple mystery unfathomable. And I cannot walk by it, and I cannot walk away from it.
by
Tom
Wacaster
No comments:
Post a Comment